1. 研究目的与意义(文献综述)
research purpose:
as streaming media gradually dominate theworld of information sharing and audience fragmentation, the mind of themajority, especially the adolescents psychological state, demonstrates atendency of becoming more vulnerable, unstable, and perplexed. nevertheless, dueto the status quo of the popular mind, contemporary arts and literature,especially plays and musicals, come back to the sight of the public with itsunique emotional tension. drama exerts a power to awaken the long-dormanthumanistic spirit of people, bring them the touching feeling, and then make theminspired and finally reflective. as a case study of the best musical of the 71sttony award, dear evan hansen, thisresearch analyzes the sublimation from own melancholy to ontologicalresponsibility in the musical in four parts, character, music environment, anddramatic form. this thesis aims to illuminate how contemporary arts and literature awakenemotional recognition and the human spirit and expound the catharsis and empathy of the kind ofsublimation of ontological responsibility in contemporary arts and literature.
2. 研究的基本内容与方案
contents:
1.abstract
2.introduction (thecharacter, scene ,songs of the musical)
3. 研究计划与安排
march 25th submit the thesis proposal
march 26th-april 7th finish the introduction part
4. 参考文献(12篇以上)
[1] jourdan c. cultureand society: key topics in linguistic anthropology[m]. london: cambridgeuniversity press, 2006.
[2] charles isherwood. “in ‘dear evan hansen,’ a lonelyteenager, a viral lie and a breakout star”. thenew york times, december 4. 2016, https://www.nytimes.com/2016/12/04/theater/dear-evan-hansen-review.html.accessed 10 february 2020.
[3] hilton als. “poppsychology onstage in ‘dear evan hansen’”, thenew yorker, 12 december. 2016, https://www.newyorker.com/magazine/2016/12/19/pop-psychology-onstage-in-dear-evan-hansen.accessed 10 february 2020.
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